Las óleos de todo VROOM, Hendrick Cornelisz.
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ID |
Image |
Painting (From A to Z) |
Details |
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80446 |
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A Dutch Ship and a Kaag in a Fresh Breeze |
Oil on copper
Dimensions 18.4 x 24.4 cm (7.2 x 9.6 in)
cyf |
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80986 |
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Arrival at Vlissingen of the Elector Palatinate Frederick V |
1632(1632)
Medium Oil on canvas
Dimensions 203 x 409 cm (79.9 x 161 in)
cyf |
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9703 |
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Arrival of a Dutch Three-master at Schloss Kronberg srt |
1614
Oil on canvas, 101,5 x 180,5 cm
Staatliche Museen, Berlin |
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9704 |
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Battle of Gibraltar qe |
Oil on canvas
Rijksmuseum, Amsterdam |
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73163 |
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Highway Robbery |
31.6 X 46.4 cm, Detroit Institute of Arts, USA.
Date ca. 1625(1625)
Source Unknown
cyf |
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77440 |
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Hollandse schepen in de Sont |
Date 1614
Medium Oil on canvas
Dimensions 101.5 ?? 180.5 cm (40 ?? 71.1 in)
cyf |
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84120 |
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Ship battle |
before 1626(1626)
Medium Oil on wood
cyf |
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9702 |
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The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar |
c. 1632
Oil on canvas
Frans Halsmuseum, Haarlem |
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9701 |
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The Arrival at Vlissingen of the Elector Palatinate Frederick V wr |
c. 1632
Oil on canvas, 203 x 409 cm
Frans Halsmuseum, Haarlem |
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9705 |
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The Harbour in Amsterdam we |
1630
Oil on canvas, 97 x 201 cm
Staatsgalerie, Schleissheim |
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| VROOM, Hendrick Cornelisz.
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| Dutch Baroque Era Painter, ca.1563-1640. He was one of the founders of Dutch marine painting. Painter and draughtsman. By his own account, he received his early training in Delft, home of his mother's family. Van Mander reports that Hendrick's stepfather, like his father a ceramic artist, forced him to work as a decorator of ceramic vessels, which caused the young artist to leave home and embark on extensive travels in Spain and Italy. After working for ecclesiastical patrons in Florence and Rome, he was employed for at least two years (c. 1585-7) by Cardinal Ferdinando de' Medici, who in October 1587 succeeded Francesco I as Grand Duke of Tuscany. Ferdinando's keen interest in ships and the navy seems to have been a determining factor in Vroom's choice of subject-matter. According to Lanzi, he was known in Rome as 'Lo Spagnolo' (since he had arrived there from Spain). Among his earliest works may be a group of marine paintings attributed to him (Rome, Villa Colonna). His friendship in Rome with Paul Bril, mentioned by van Mander, had no effect on Hendrick's painting style, but Bril's influence is discernible in a group of landscape drawings
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